Fair Submissions

 Full details  Literary Agent Clare joined the Darley Anderson Agency in January 2011. Clare is building both the Darley Anderson Children’s Agency and the Darley Anderson Illustration Agency lists and is scouting for new authors of picture books, middle grade, teenage, YA and illustrators. Clare also represents a boutique list of commercial and accessible literary women’s fiction but is closed to new submissions. At the Agency Clare represents authors in adult fiction both in the UK and the US including Sophie Cousens, Kerry Fisher, Pat Sowa, Phaedra Patrick, Polly Ho-Yen, Martyn Ford, Tom Ellen, Honor Cargill-Martin, Deirdre Sullivan and Beth Reekles. For a list of Clare's children's clients, please go to our children's website. Clare formerly assisted the Luxton Harris Ltd literary agency. Graduating with a first from a BA in Creative Writing and Cultural Studies at Bath Spa University, Clare went on to gain a distinction on the MA in Creative ...

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  Full details  Submission Guidelines Submission Procedures All submissions should follow proper manuscript format ( modern edition, preferably). Submissions should be emailed to submissions@thedarkmagazine.com  Please attach all submissions in .doc or rtf format—we will not accept submissions embedded in the body of email. Include your bio in your cover letter.  Guidelines for Fiction The Dark  is an online magazine published monthly. We are seeking fiction 2,000 – 6,000 words. What we publish : • Horror • Dark Fantasy Don’t be afraid to experiment or to deviate from the ordinary; be different—try us with fiction that may fall out of “regular” categories. However, it is also important to understand that despite the name, The Dark is not a market for graphic, violent horror.  We will not consider multiple submissions. Submit once and wait for a response before sending anything else. There is no wait peri...

 Full details  Editorial Philosophy VQR strives to publish the best writing we can find. While we have a long history of publishing accomplished and award-winning authors, we also seek and support emerging writers. A look at one of our latest issues will show you the diversity of voices we publish. Genres Poetry: All types and length. Short Fiction: Length is from 3,500–8,000 words. We are generally not interested in genre fiction (such as romance, science fiction, or fantasy). Nonfiction: Length is 3,500–9,000 words. We publish literary, art, and cultural criticism; reportage; historical and political analysis; and travel essays. We publish few author interviews or memoirs. In general, we are looking for nonfiction that looks out on the world, rather than within the self. General Guidelines We only consider unpublished work. Please do not submit previously published material, including work published in anthologies, chapbooks, or...

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  Full submissions  What we’re looking for    We publish reviews, essays, long-form interviews with artists and writers, fiction, poetry and series of artworks. The print issue  is published three times a year, and new online content is published weekly.   Please take a look at our website and previous issues to familiarise yourself with the kind of work we publish.    We consider all submissions for print and online, bearing in mind our print features are a minimum of 1,500 words, with the exception of poetry.   How to submit to  THE WHITE REVIEW    All submissions, both fiction and non-fiction, must be in English and previously unpublished. Submissions should include a short author’s bio. Translations are welcome and should be accompanied by a copy of the original text.   We accept pitches for essays, reviews and interviews, in addition to drafts. If you wish to pitch, please include an outline of you...

  Full submissions LAY SUBMISSIONS Theatre Ariel is always seeking the next great Jewish play to present to our audiences. Anyone may submit through the process outlined below. Theatre Ariel is looking for plays that engage with the rich world of Jewish life, thought and practice; plays where Judaism, Jewish identity or Jewish perspectives are significant or driving factors in the story (In other words, not plays where the characters ‘happen’ to be Jewish or that have a few yiddishisms or “Jewish jokes” in them, but plays where Jewish life/thought/history is integral or particularly relevant to the story.). Theatre Ariel seeks plays with casts of five actors or less. You do not have to be Jewish to have your work considered by Theatre Ariel.  All our performances are presented as salon-style theatre readings in people’s homes, following a long tradition of Jewish theatre. For the foreseeable future, we will be presenting in a hybrid model of both in-person and virtual per...