We select new, original works in fiction & non-fiction and update and republish rights-reverted titles.
We always read the chapter first. Only if the chapter has grabbed our attention will we go on to read the synopsis.
We do not publish short story collections, children's picture books or poetry.
Cut and paste your first chapter and synopsis into an email and send to
submissions.blackbird@gmail.com
Please don't be despondent if you don't hear back from us. We can take very, very few books on.
Our bespoke author-friendly service is run along the following lines:
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Communication & presentation: the skills and precision of traditional editor-led publishing meets the e-marketing revolution.
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Royalties: Online and POD publication
costs don’t begin to compare with the overheads of print publishing.
Income from sales is split straight down the middle 50/50
and paid monthly, as we are paid. Fair to the author and makes
the contracts simple too.
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Marketing: We promote our books long
after the traditional three-month window. Digital platforms mean that
the days of a book (and an author) being over before
they've had a chance to be discovered are over. We invest in
Amazon, Facebook and Bookbub advertising.
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Freedom: Like
every other publisher we’re looking for unique, original voices. We
take on very few authors who we fully expect
to progress to success in mainstream print and other media
should that be their aim. We’re here to promote individual ambition and
our contracts are based on 1 book deals. As the advantages
to publishing with us become apparent, we hope that our authors
will stay with us for the long run.
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Flexibility: This flexibility is
already in evidence as Sarah Ball returned to mainstream publishing with
Little, Brown's sub-imprint Piatkus Entice. They now
epublish Sarah’s backlist of 3 contemporary commercial fiction
novels: Nine Months, Marry Me and Written In The Stars. Sarah’s first children’s
novel, The Dream Theatre, stays with us. The
ex-Transworld author Susie Kelly, meanwhile, is about to publish her
13th book with Blackbird and, despite overtures from
the mainstream, has no plans to go anywhere. Novelist Jacqui
Lofthouse chose to e-published her literary thriller Bluethroat Morning with us whilst the paperback is still
published by Bloomsbury. The Rough Guide author, Tim
Salmon, published 3 titles with us before setting up his own publishing
company for his specialist Greek adventure
books. Our hugely talented debut novelists, Tanya Bullock and
Diane Chandler, are both on their third novels and are gaining audiences
and book prize nominations. Diane Chandler won the
2016 People's Book Prize for Fiction. With her debut
psychological thriller, Valentina, S E Lynes was longlisted for the 2017 Waverton Good Read Award, alongside many household
names, and attracted film rights interest before moving to Bookouture.
We are here to help, advise and take the edge off the dreaded
self-promotion part of publishing a book. Launching in December 2009, we
think we could have been the very first digital
publisher to launch in the UK. We keep a close eye on the
ever-changing developments in digital publishing. Whilst we work hard to
promote every writer, both by traditional methods and
digital, those who work in tandem with us are more likely to see
success for their books. We do appreciate that online isn’t for
everybody, though, and we publish complete techno-phobics (there
is even a typewriter in our midst!) who happen to be brilliant
writers, as well as great writers who are bloggers and social media
adepts.
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